Showing posts with label potential. Show all posts
Showing posts with label potential. Show all posts

Saturday, February 4, 2017

Three Essentials Beginner Models Must Know

New model 'Katiegirl' has made herself well aware of the pitfalls associated with forging a career in the field of modeling.



The most frustrations for industry professionals and beginner models alike involve the public perception of modelling and model photography.

Like most beliefs that are essentially wrong, these fallacies develop a life of their own, and permeate through society, until even many models and photographers begin to believe them.
 
Presently modelling is at all time time low in the public eye, perceived as a deviant activity where naive girls are made to flaunt themselves for the entertainment and gratification of dirty old men with pony tails, a giant dose of mid life crisis, a shiny new camera and a battery of long, over sexualised lenses.
 
So if you are a girl who realizes that there are many aspects to modelling to which this horror image is complete nonsense, or that being a model is a very viable career choice, and you are wishing seriously to become a model, these three points should be firmly in your mind.
 
1. Modelling,  developing and maintaining a career is seriously hard work, 
NOT standing in front of a camera and 'doing your model stuff' or  'having a bit of a laugh' as many imply.
If you pose for the local camera club, or that studio down the road, for a couple of hours once a week, dressing up, costumed as a zombie, or a cupcake, or a sugarskull with fairy wings...
you are NOT a 'model', you are NOT in the industry, and you certainly are NOT,  (nor will a career in  modeling ever make you a 'public figure'), and NO-ONE at these types of events will ever 'make you a star'.
 
On the contrary,  if an industry professional ever 'discovers you', or does see model potential in you, valuable time and effort will be needed for you to unlearn all the bad habits, awkward posing techniques, unphotographable makeup gaffs, and totally irrelevant  modelling nonsense which you have learned. The general consensus of photographers I know is unless you have exceptional potential, that it is all too hard, and time consuming to re-teach, so basically it ain't gonna happen.
 
 
2. Hoping for useful portfolio pictures from amateurs, pretenders, and fauxpros, the majority of whom have never actually set eyes on an actual working model's portfolio is hoping beyond hope.

It seems now that every man, woman and dog who has recently bought a 'professional' camera offers 'model portfolio shoots', and it is also very true that almost all of them wouldn't know the requirements of a model's 'book'. (those who call it a 'port' instantly give away their lack of knowledge and fauxpro status).
 
Likewise anyone who chants the mantra of "it will be great for your folio", is equally a waste of time, money and effort, because invariably the resulting pictures,  if you ever see any, will be ANYTHING BUT SUITABLE for a working portfolio.

3. Modelling does not, I repeat DOES NOT, involve getting naked...

Regrettably the requirement of nudity in modelling has become a staple of the public perception of the 'evil arts', and of course nothing could be further from the truth.
 
Any photographer, model or hanger-on who tells you that nudity is required for you to get anywhere as a model is at best naive, but more likely an ill informed amateur, a pretender, a charlatan, or a pervy old wanker.
 
There are three major things to consider here, even if you strongly desire becoming a nude model...

  • A. Posing in the buff for amateurs or pretenders will never get you anywhere, except a reputation as the girl who gets her gear off for anyone with a camera.
  • B. The actual market for photographs of the nude is so small, and already overfilled that ONLY work from a very small, well established, highly respected, AND HIGHLY SELECT group of photographers and models is ever accepted, with most opportunities being well and truly sown up, and well beyond the dreams and abilities of any neighbourhood snap-shooter.
  • C. Contrary to the bleatings of socially challenged amateur snappers, not every girl looks good with her clothes off. Unless your body is equal to or better, than the girls already doing nude modelling, even the girls appearing in those cheap rag-mags, i.e. close to PERFECT without relying on 'fix it in Photoshop', well you simply won't be good enough.


And very important to remember also: everything you do in front of a camera, including nudity, IS YOUR CHOICE!

For more detailed information have a read of my blogs specifically on unreasonable demands for nudity:

Stephen Bennett is available for Guest Speaking, Seminars, and Workshops in a group or on a one to one basis for:
Models and aspiring models on all things Modelling, including Successful Portfolios and Building a Modelling Career … please visit my website to contact me.


©Copyright: Stephen Bennett, MMXVI
Except as permitted by the copyright law applicable to you, you may not reproduce or communicate any of the content on this website, including any photographs and files down-loadable from this website, without the permission of the copyright owner.
The Australian Copyright Act allows certain uses of content on the internet without the copyright owner's permission. This includes uses by educational institutions for educational purposes, and by Commonwealth and State government departments for government purposes, provided fair payment is made. For more information, see www.copyright.com.auand www.copyright.org.au.
We may change these terms of use from time to time. Check before re-using any content from this website.

Interesting Links:

Wednesday, August 27, 2014

A Modern Chronicle of the Knights of the Creatively Challenged



©Copyright: Stephen Bennett, MMXIV
Except as permitted by the copyright law applicable to you, you may not reproduce or communicate any of the content on this website, including any  photographs  and files downloadable from this website, without the permission of the copyright owner.
The Australian Copyright Act allows certain uses of content on the internet without the copyright owner's permission. This includes uses by educational institutions for educational purposes, and by Commonwealth and State government departments for government purposes, provided fair payment is made. For more information, see
www.copyright.com.au and www.copyright.org.au.
We may change these terms of use from time to time. Check before re-using any content from this website.Interesting Links:
My Photography Webpage
Facebook page for Professional Photographers and Models
The Definite Article Photography and Video on Facebook
My Pond 5 Page
The Definite Article at Publicise Me

Sunday, August 3, 2014

10 Ways to Improve your Photography


http://thedefinitearticlephotography.weebly.com/
A wink is as good as a nod.

  

 

 

 

 

 

 

 

 

Increase your Credibility

  Appear More Professional

 

 

and become trooley awesome!

 

 

 

 

To be taken with a grain of salt, and a dash of vitriol.


NUMBER 1: stop pilfering other people's works for “inspiration”, because they are so awesome, then announcing to all and sundry that you wish to conspire with other equally imaginative creatives to blatantly copy them, or at least make an awesome derivative work from them, while of course clearing yourself of all the blame by adding the useless disclaimer: “No copyright violation intended.”
Far from using these as inspiration to learn from you will simply be compounding the poor technique and mistakes of the 20 or 30 generations of the awesome brain dead copyright violators since the original image was made, to reach the depth of awesomeness that you have found in the bowels of the Internet.

NUMBER 2: look at some good photography and study good photographers.  There are hundreds both from the past and present, and even if all you do is look at the work of Ansel Adams you will still be streets ahead of all the armchair experts who drop the only name they know all over Internet forms.

NUMBER 3: learn about lighting techniques and when and why they are used.  A good starting point for portrait photographers are Beauty, Rembrandt, Butterfly, and  Loop lighting, although there is a technique coming to prominence called “cheap skank ” lighting which in any of its many variations is guaranteed to affect even the most flawlessly attractive model.

NUMBER 4: study just some of the many more useful elements of composition and open your mind far enough to realise that you will not make your image instantly awesome by superimposing an imaginary tick tack toe gird across it.

NUMBER 5: refrain from trying to make that hugely oversized, ugly, designed-it-yourself logo an essential design element of your image.  Better still throw it away completely and use the tried and tested, conventional copyright cut line as a watermark.

NUMBER 6: limit the application of the “Reduce to Mud” Photoshop plug-in to a maximum of three times per image. No don’t Google for it: just learn  how to process properly!

NUMBER 7: search out one or two models whose beauty, personality, charisma, self respect and pride in their appearance actually make it worth taking your lens cap off for, rather than any person you come across in your desperation.  If a model herself is deluded about her ability or her prospects surely it is the photographer’s professional responsibility to tell her she has not presented acceptably or is possibly not even model material.
Be aware that “Snog, Marry, Avoid” is a satire, not a training film about what to look for in a potential model.

NUMBER 8: pay attention to details: garish, inappropriate makeup; ugly,broken or bitten nails; worn or chipped  nail polish; badly fitting clothes; unclean hair; awkward posing; unrelated, badly framed or poorly chosen background; skewed horizons; bony feet in “Minnie Mouse” shoes, etc.

NUMBER 9: show it little professionalism, and a serious approach to your work rather than hoping for the best from a Neanderthal Facebook grunt: “Wanna shoot…make woman look awesome”

NUMBER 10: have some kind of useful concept which some imagination can be applied to, and/or a viable useful purpose for the resulting images in your mind before the shoot.  If the best you can come up with is

a ) my Facebook friends will tell me it is awesome and I could be a professional. 
b) it will be awesome for your folio.
c) it will be awesome exposure.
Then the iconic phrase from the movie “The Castle” springs to mind: “Tell’im he’s dreamin”
d) “possible magazine submission – no pay” is also a notorious laughter maker these days too.

BONUS NUMBER 10: and possibly the best solution for so many: sell all your photo gear and take up stamp collecting, at least you will then be exposed to some well designed, and maybe even some truly awesome images.

Wednesday, July 23, 2014

What Does your Portfolio Say about You?

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All creative artists either have or need a portfolio of some sort, so this post does not only apply to models or photographers.
  • Do you have a printed portfolio?
  • Do you have a business card, postcards, mailers, brochures,  comp card, example portfolio, folio or show reel on CD or DVD, to anything to leave behind for reference?
  • Do you have a website which showcases your work?
  • Or does your portfolio only exist on Modelling/photographer sites such as Starnow, or ModelMayhem or any of those similar sites.
  • Or, better than nothing (almost), are you one of those Facebook only models, photographers, artists?
It seems that portfolios broadly fall into one of four categories:
  1. Full Steam Ahead: those which show of a definite individual style, creative, tightly edited, technically excellent, and highly focused on the artist and future development. The product for sale or hire is you.
  2. Steady as She Goes: those which are varied, and confident, but still showing creativity and untapped potential, professional and competent in tackling all assignments made available.
  3. At Moorings, in Ballast: the general majority which show a limited range , low to average quality, and exhibit a sameness with so many other portfolios: no challenges attitude, just give me more of the same thankyou.
  4. Under Tow to the Breaker’s Yard: those who spring about in all directions, chase trends, follow every piece of poor advice and bad information, worship false gurus, jump at every casting call which promises that “this will be great for your portfolio”
Amongst these broad categories only Category number One shows any understanding of the proper purpose of a portfolio to an artist:
Portfolios are not meant to document the past: they are to represent what you want to achieve in the future.
Family and friends look at a portfolio to feel proud of what has been accomplished: an industry professional looks at a portfolio to ascertain just how well your individuality, personality, creativity,knowledge, ability technique, professionalism and flair will be able to make his future project the best it can be, and to single you out from all the other portfolios he will be looking at in relation to enhancing his own image and reputation.
So take a second look at your portfolio, or when you are assembling your first portfolio, (as the case may be) look objectively at every image you wish to include, not as an artist, not as a photographer, and not as a model but as a prospective client, a future employer of your skills, as a prospective buyer of your services.
  1. Does your portfolio tell prospects what you do – the subjects you cover well and how you do it with effective creativity, technique and individual style?
  2. Do your visuals have marketability? Are they saleable?
  3. Are the images geared to specific markets? Specific clients? Or able to fill an existing or niche need?
  4. Is your book well edited and do the images have a relationship to one another?
  5. Do the images flow well as the viewer progresses through your portfolio?
  6. Does your folio “sell” you, your abilities, your creativity and your individual style?


©Copyright: Stephen Bennett, MMXIV
Except as permitted by the copyright law applicable to you, you may not reproduce or communicate any of the content on this website, including any  photographs  and files downloadable from this website, without the permission of the copyright owner.
The Australian Copyright Act allows certain uses of content on the internet without the copyright owner's permission. This includes uses by educational institutions for educational purposes, and by Commonwealth and State government departments for government purposes, provided fair payment is made. For more information, see
www.copyright.com.au and www.copyright.org.au.
We may change these terms of use from time to time. Check before re-using any content from this website.
Interesting Links:
My Photography Webpage
Facebook page for Professional Photographers and Models
The Definite Article Photography and Video on Facebook
My Pond 5 Page
The Definite Article at Publicise Me