Model Portfolio Checklist:

A Clear, unmanipulated head shot is at the heart 

of a good portfolio

A model’s portfolio is her most important asset, and should be compiled and constantly updated to present the owner as a competent, wholly professional and very employable commodity - a totally respected member of the model photography community.

Model Portfolios have constantly evolved over the years into a very streamlined and universally accepted formula, and every model, whether female or male, should do their utmost to comply with the well accepted conventions of the standard “book”.

Portfolios today can also exist as files on CD’s or DVD, or as pages on a website, but the traditional printed portfolio contained within a presentation folder is still the most valuable and useful possession a model of any experience level can possess.

It might be useful to note carefully, because seemingly many models, and far too many photographers who claim to provide model portfolio photoshoots, seem to misunderstand this important point: the collections of pictures appearing on Model Facebook pages, or on profiles on model social media sites, such as Modelmayhem, and Starnow, are NOT portfolios in the true sense which Industry Professionals expect. They are in fact simply collections of disparate pictures.

• A good portfolio should be highly focused, presenting the best of the best.
• It should consist of a minimum of eight images, and a maximum of twenty.
• It is not unknown for people in the industry to refuse to look at portfolios of more than 20 pictures.
• It should also provide the viewer with a strong idea of what the model is good at, and the direction she wishes to take in the future.
• It is not a collection of pics to illustrate her past history as a model.

What a Model’s Portfolio Should contain:

Not good photography, but Excellent photography, with excellent lighting, showing superb makeup skills, perfectly exposed and properly processed images, with accurate attention to detail.

Preferably colour images, however if black and white images are included, they should show an excellent tonal range and proper post processing. B and W should not be artsy farstsy crap, which might make the photographer look “creative”, but should first and foremost be about the model.

Colour and B and W versions of the same images should NOT be included.

Having stressed the importance of excellent photographs the whole portfolio is about the model, not the photographer.


Images to include without fail:

A good figure shot is essential

• One professionally shot image of the model’s face without makeup.
• At least one if not several headshots, the full head showing hair and with nothing lopped off by careless cropping out of frame.
• A bust shot, from between the bust and the waist upwards to the top of the head
• A three quarter figure shot, from thigh upwards to the top of the head
• These pics should be frequently updated, as the model, changes or grows older, changes hairstyles, gets teeth straightened, or other evident tweaks.
• Several pictures showing a variety of poses and clothing styles ...from casual to formal, and including beachwear. Bikinis, one piece swimsuits, shorts and blouses, jeans, slacks, dresses, skirts for girls and the equivalent styles for men.

Makeup for all portfolio shoots should be light and designed to enhance rather than disguise, and either professionally or skilfully applied specifically for photography: social or formal evening makeup does not photograph well.

Further pictures should show the type or genre of modeling you wish to concentrate on: for example a fashion model would have images of fashionable clothes complete with suitable accessories, a catalogue or advertising model would be shown presenting or demonstrating products, an aspiring television host would be photographed in a suitable set with broadcast legal clothing colours, etc


As Career Develops:

A model who has been successful enough to get paid work , should where possible include tear sheets from paid jobs she has completed and which have been published. Tear sheets should no longer be torn from magazines or wherever they appear, but high quality photographic copies of the pages should be made for inclusion in your portfolio, and any photographer who provided you with great folio pics, also has the expertise to do these quality copies for you.

If you are lucky, you may also be able to obtain outtake pictures from the campaign shoot to use in your folio, but do not ever expect to be able to use, or even get copies of the actual images used in the campaign, especially before the campaign is entirely completed.

Be aware though that amateur publications, photographs entered or taken as part of competitions
( such as swimsuit, or wet tee shirt comps and similar) are not suitable for use in your portfolio.

Neither are photographs which appear in vanity or exploitation online magazines, due to the very low level of acceptance, the non existent payments to models or any contributors, and the extremely poor overall quality of these “magazines”, they are not recognised by industry professionals as published work.

Remember if it is not PAID work, and it has not been published through normal channels, it is not really worth including in your portfolio. Be guided by photographers and artists when compiling their own portfolios: if it has to be explained it doesn't work.


Should NOT Contain:

• Nudity: Topless, full, or even “implied”
• Lingerie or sheer: although becoming acceptable in some quarters, the majority of industry professionals still frown on this kind of work in a normal working portfolio
• Zombies, sugar skulls, disaster victims or any similar “theme shoot” material where your identity is disguised or obliterated by makeup...your portfolio face should be a “blank canvas” to be considered for its suitability for a job, not a "work of art" advertisement for some “creative” makeup girl.
• Theme shoots may or may not be fun, but they are strictly amateur...consider just how many times in a publication or an advertisement you see a girl dressed as an ice-cream sundae pushing washing powder, or a horribly disfigured zombie as a featured cover girl?
• Any picture which isn’t quite up to the mark, but was included to make up the numbers.( Go out , do another shoot, and get a better picture)
• Bad photography, either or both technically or creatively, and posing which looks posed or forced.
• Photo-shopped images: no images should use photoshop tricks, screens, filters, over-saturation, HDR, or any of the multitude of “artistic”plugins. Photoshop correction should be limited to correcting tonal range, colour, and sharpness, and eliminating distracting background elements: skin blemishes, moles, freckles, operation scars should not be removed and figure altering manipulation is especially taboo.

If your photographer/s isist that any of these are "necessary" or "great for your folio". it is time for you to walk out and find a professioonal photographer who actually knows what s/he is doing, and has actually not only seen , but also photographed model portfolios in the past.

You would be surprised just how many have not!


 ©Copyright: Stephen Bennett, MMXV
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Interesting Links:
My Photography Webpage
Facebook page for Professional Photographers and Models
The Definite Article Photography and Video on Facebook
My Pond 5 Page

Rights of Various Participants in a Photo-shoot...

Part One: The Model´s Rights

Traditionally a photo-shoot involves two people: the model and the photographer.


 Other people are sometimes involved to complete various work necessary to making the shoot a success, the tendency being the more commercial the shoot, the more people involved.


Therefore what rights do these various people on a photo-shoot have, both during the actual shoot, and in the results of that particular shoot.

Also as many models, actors and photographers, makeup artists and really just about anyone, are often keen to get involved in many different roles within their industry, and therefore learn by actually doing, I offer the following summary of their ¨rights¨:

 

The Model/Actor

The model only has one right available to him/her to exercise; the right to the use of their ¨likeness¨.
They give the photographer permission to use their likeness for any lawful purpose, by merely standing in front of the camera, and allowing photographs to be taken, or by applying/attending to a photo call.

If it is a commercial shoot, or it is envisaged that the resulting pictures may be used for commercial purposes in the future, the model is asked to formalise this permission by signing a written ¨model release¨.

Shoots are often explained to a model verbally prior to a shoot, or at an audition, or in written form in a casting call. These conditions should be understood completely, considered carefully , and the requirements followed. Always ask if anything is in doubt or has not been explained adequately to your satisfaction.

Some shoot conditions often require nudity: and the model should always retain the right to the degree of nudity she is willing to allow.

It is always a good idea to state somewhere in writing, what you are prepared to do, and I (and most other professional photographers) have a question in my model information form which asks if a model is prepared to pose in swimwear, lingerie, topless or nude,
When these questions are asked, make sure that you answer definitely with ¨yes¨ or ¨no¨: if you wish to consider based on your future interaction with the photographer, state clearly that you will decide later, and make certain that you ask to amend the form at a later date.

If later, or  during a shoot a photographer tries to ¨convince¨ a model to go past what she has stated is her limit, he is actually violating your right to your likeness.

If however you take part in a shoot which has stipulated beforehand that a degree of nudity is required, you have no right to decline when it is asked for.

Technically also, and this applies to most professional photographers, and most shoots, models do not have  the right to review, or veto the use of any of the shots taken during the shoot.
Most photographers will allow or license a selection of the shots to the model for use in his/her portfolio, and for self promotion, although technically this is not required.
If the photographer is shooting for a specific client, that client may not allow the model any photographs at all.

Disturbingly to both professional photographers and models two trends have emerged recently:

• Photographers, mainly amateurs, but also those who should know better, have been offering, or promising ¨rights¨ to models that they are not in a position to offer, and that models are not entitled to. This is almost always under the guise of ¨considering the model´s welfare¨, but in reality is confusing to new models, as they go on to demand these ¨rights¨ when dealing with professionals, and as a result are quickly shown the door.

• Some models have landed themselves in very expensive trouble by selling prints of themselves which are copyright to others, or leasing their photographs to magazines, and thus breaching the copyright (and damaging the potential income, livelihood, and reputation) of the photographer who generally owns the copyright to all the photos taken during a shoot...one well known stable of magazines actually encourages this practice thus adding confusion to what is a clear cut case of copyright ownership.

Models do not own any copyright in photographs they appear in: and although there has been a great deal of waffle (especially on internet forums) about joint copyright, a professional photographer would rarely if ever consider such a logistical nightmare.

©Copyright: Stephen Bennett, MMXIV

Remember, that all photographs accompanying this blog are Copyright (All Rights Reserved) and may not be used for any purpose whatsoever without written permission from the photographer.


Interesting Links:
My Photography Webpage
Facebook page for Professional Photographers and Models
The Definite Article Photography and Video on Facebook
My Pond 5 Page
The Definite Article at Publicise Me