Wednesday, February 7, 2024

 

STAND OVER THERE AND DO YOUR MODEL STUFF.


One essential of any photoshoot is for the photographer to give clear, concise and meaningful direction to the model.


And for the model to take direction, and use their face and body effectively:

  • To interpret the photographer’s direction,

  • To strike the appropriate poses which imbues the resulting photographs with exactly what the photographer wants to capture,

  • Or in a truly creative collaboration, something even better than what he originally had in mind.

However, the sheer number of beginner models who relate stories about photographers whose “direction” consists of a barely audible “stand over there and do your model stuff” has to be experienced to be believed.


It is not the job of a photographer to teach a model how to ‘be a model’, but the idea of not discussing with the model what is required for the shoot, the concept behind the shoot, the desired results is as far from “creative collaboration” as one can get.


  • With the proliferation of ‘fauxpro’ photographers*, and “Instagram models”**, it comes as no surprise that models come into a studio and huddle as close to the backdrop as possible;

  • Contort their arms and legs into shy, awkward and uncomfortable “poses”;

  • Wonder why the photographer is not invading their space with a lens mere centimetres from their face.

  • Receive nothing more than ‘Hollywood cliché” directions such as “Yo Bootiful babe”, “give it to me, baby”, “dat’s great Dollface”, “Oh yeah, honey”


But the questions remain?

How does a beginner model know that she has stumbled across a useless ‘Fauxpro”, or worse still a “Guy with a Camera”***...and will never learn anything, and certainly not get anywhere as a model.


More importantly though: How does a beginner model learn the basics?


  • How to stand elegantly?

  • How to assume basic photogenic poses?

  • How to use her facial expressions, and her body movements to convey a mood?

  • Where to actually stand in a studio set, or in an outdoor location to help with getting the best photographs possible?

  • How to learn to use lighting, props, costume, hand movement and positions, hip and shoulder angles, to make her/himself appear at their best?

    (“Make sure you get my best side, Mr. DeMille” is what the Hollywood screen goddesses were reputed to have said)

  • Where to get sound, accurate, relevant and useful advice, especially if the only “models” you know are in the same predicament as you.

  • What kind of photographs are actually “great for my folio”****?…

    {you would actually be surprised to learn that what Fauxpros tell you, is actually totally wrong, notoriously supplying photos that are designed for no other reason than getting “likes” and gasps of “Awesome capture” on their own social media, and never taking the Industry Standard requirements of a model portfolio into consideration.}


I spent most of my photography career “mentoring” and “developing” beginner, and wannabe models, and unfortunately some very experienced models who had never learned the basics of modelling, and will happily continue to do so, if and when anyone asks…


But it is time to hand it over to the next generation:

I can think of no better model mentor than Ms Rachel Gallagher;



 

A former, very successful commercial model,

(note: I didn’t say “professional”… actual professionals don’t describe themselves that way; in fact it is a very obvious sign of an amateur, a pretender, a fauxpro to label themselves as “a pro”)

A highly respected teacher and tutor,

A widely read fashion writer,

And a very knowledgeable mentor of all things modelling!


I highly recommend her as the go-to girl on modelling basics, model requirements, styles, genres especially fashion, and not just for beginners: how to establish yourself in the very competitive world of modelling, and how to maintain yourself at the top of your game.


Do yourself a favour and check her out, follow her, and ask her questions (she is very friendly, approachable and always keen to assist those with a genuine interest in modelling):


Intagram: rachelg.img

therachelgallagher.com

https://www.instagram.com/aboutyourclothes_/?hl=en

https://www.therachelgallagher.com/


In fact any beginner model who enquires with me about a photoshoot, or wanting modelling information

(from the NSW Central Coast, Australia, or nearby)

Who shows some knowledge of the vast array of quality info which Rachel has on offer,

Will receive a full beginner model photoshoot with me for free, including my renowned in person full instructions and direction for on camera modelling, and discussion and evaluation of what particular area of modelling you may be most suitable for.


Definitions:

* Fauxpro: usually a male, but increasingly a female who’s recently bought a camera and has instantly declared themselves a “ professional”, who runs their photography ‘business’ almost exclusively through Facebook, Instagram or worse still, Tiktok, charges ridiculous prices...often “$50 for fifteen minute folio shoot”, and whose finished photos are unsurprisingly inadequate and totally unfit for purpose.


**Instagram model: A girl notably listed on Instagram as a “Public Figure”, sporting fake tan, fake nails, botox fillers, ‘the works’, whose only experience of modelling is a phone selfie in the club restroom during a drunken night out: some of these girls pester photographers such as myself to photograph them professionally for free, and when they realise that it aint goin’ to ‘appen, desperately promise to “get naked, and do anything you want me to do (nudge, nudge, wink, wink)”

about as equally a blight on photography as the…


*** Guy with a Camera (GWC): A guy whose only hope of getting near an attractive girl is to buy a camera, and masquerade as a star maker, or a talent scout for model agencies, movie producers, etc, etc, generally repugnant, repulsive and easily recognised by cargo shorts, big bellies, and stringy, greasy ponytails….been around since the Great Flood, but unfortunately some naive young ladies still fall for their slime.


****Great for your Folio: A phrase bandied about on social media, and too often in real life, in amateur “photo studios”, in emails, and DMs, which invariably means inadequate, amateur snapshots that you can post on social media and get lots of likes, “awesome capture”, or “you should be a model” comments,

but as far too many naive young hopefuls have found, model agencies, legitimate photographers, and almost all industry professionals, down to the guy who sweeps out the studio will refuse to look at, and laugh at once you are out of earshot.

 

 "This site uses cookies from Google to deliver its services and analyze traffic. Your IP address and user-agent are shared with Google along with performance and security metrics to ensure quality of service, generate usage statistics, and to detect and address abuse."


Tuesday, February 6, 2024

 

RETIREMENT AND BRAIN ATROPHY???


Six years ago when I retired from the rather silly game of Photography, which had over a long career involved a deal of model photography, both fashion and “glamour”, I retired this and its companion blog, never thinking it would ever again be relevant.


But of late I am receiving notifications that the almost long forgotten and neglected blog is again being read, and by ever-increasing numbers, almost as popular as it was so many years ago.


A few model friends have been encouraging me to actually resurrect the blog as a whole, because it seems, that would-be models, and even those with a little experience are still being misled, and being fed, sometimes intentionally, misinformation about the path to a successful modelling career, especially how young wannabe models should ‘properly’ interact with photographers whose only wish is to make them a “star”.


So, at the insistence of several people I will be resurrecting this blog as health issues allow but in a slightly different form:

  • I will continue to write it from the standpoint of giving industry accurate, reliable and career tested advice to wannabe, and experienced models.

  • I will continue to fight the insidious and downright despicable and manipulative, misleading rubbish which has been peddled for decades by “guys with cameras”:

    designed to get naive and vulnerable girls with stars in their eyes “in front of their cameras”:

    “guys” who have absolutely no understanding of the modelling or the photography industry:

    have no contacts within the industry:

    or the ability or knowledge which in any way could help a would-be model establish themselves in the industry:

    providing totally wrong information:

    and photographs and “portfolios” which are so inept that no legitimate industry professional would consider looking at them:

    Which together usually, if not always, totally destroys a possible promising modelling career, long before it even begins.

  • I will not write reams of garbage just to please some kind of internet imposed “algorithm”, but each post will be well considered, relevant and hopefully useful to at least one reader.


I do feel a bit of a fraud however, writing about “model stuff” that I no longer actively practice, so although I am somewhat reluctant to do so, my model friends, and surprisingly a few other friends — both photographer and ‘civilian’ - as well have been keenly encouraging me to take up the camera as well as the word processor again.


So look forward to irregular blog posts about modelling, models, and model/photography relevant as well as model calls in the future.


Well it sure beats brain atrophy from staring in boredom at an increasingly irrelevant television, stuffing my cake-hole with potato chips.


Wednesday, March 29, 2017

OMG! I'm Dating a Sociopath!

At last you have found the ideal guy!
Sweet, good looking, smartly dressed, attentive, loving, and he even gets along with your parents.

Your mother is swooning over 'such a sweet boy", baking him brownies, and offering him cups of the tea in the best china.

Your brothers and sisters run to the door in anticipation, and your father's usual nonchalant grunts at your previous boyfriends have been replaced with backslapping visits to the pub, and offers to take him fishing or a similar manly pursuit, reserved exclusively for the days out with the boys.

And no doubt he is impressive!

His hot car with all the cool accessories, his huge boat, his luxury townhouse, his designer clothes, his gym junkie physique, all his expensive outdoor adventure sports toys, whether actually paid for or not!

Complete with the implication that you must live up to his image, on your meagre salary.
Narcissism One:
Do you have a person in your life who says they support you in everything you do, and then does everything possible, at first in a subtle manner and later more blatantly, to delay, disrupt, discourage and belittle you in doing those things?

It usually starts off by finding other things you need to be doing instead, which of course requires you to be with them, especially those which are more fun than what you have planned, and rapidly progresses towards the neglect of all your interests in favour of theirs, and the alienation of all your friends, acquaintances and colleagues to devote your entire attention of that one person only.

Does his support reach to turning up unexpectedly as you are preparing for a shoot, with offers to accompany you, to "look after you and your interests"  (of course), or wanting to know all the details of where the shoot will be, who you will be with, the client's name, and helpful suggestions of what you should and should not do for the shoot.

Worse still does he turn up the night before to take you out for dinner, and a drink, (just to celebrate) which turns into lots of drinks, and a late night culminating in an early hours argument and upset?

Are these phrases becoming familiar to you? "I dunno why you waste your time with those photographers, they are hopeless losers and not showing you at your best. I know a guy who's a mate of mine, and a lot better than these schmucks, I could arrange for you to shoot with him , exclusively! He'll make you a real star!"

You are dealing with a Sociopath.

Narcissism Two:
Are you in a relationship where the other person feels free to rifle through your phone contacts, and text messages..."ah , just having a bit of fun", and then before long it becomes "normal" for them to check all your messages, read your emails, answer your phone, deal with your personal mail, answer the door before you, and monopolise and stage manage conversations with your friends and work colleagues.

Just for moment, think what would happen if you even dared to pick up their phone.
 

You are giving away your personal life to a Sociopath.

Narcissism Three:
Is your relationship one of ultimate bliss and happiness one day, and a hell of confusion, emotional turmoil, doubt, anger, and upset the next: a never ending cycle of extremes, all caused by what is in reality either nothing or an insignificance blown out of all proportion.

Almost without exception all the turmoil is caused by either you not agreeing with the other person, wholeheartedly and without exception; you having the audacity to want to lead a life of your own; and not changing or bending to agree with the others idealised image of you; or most usually nothing at all, except the other playing a game of manipulation, hopefully so you come to mistrust your own intuition, the advice of your friends and family, and come to fully rely on the other person to control every aspect of your life and fibre of your being.



But rest assurred, according to them, it is your fault, and they are the innocent wronged party.

Be aware that if another person makes you angry or upset,intentionally or otherwise it is NOT your fault, it is their problem. You do NOT have "anger issues", but it IS one of the defining tactics of a sociopath to make you feel as if it is you to blame.


Sociopaths: are nothing but a toxic, life destroying scourge.

Narcissism Four:
Does the person you consider as your significant other not remember the names of your closest friends, or monopolise your time so much that your friends become a distant memory?

Ignore your little brothers and sisters, and if you have any children yourself, they quickly become nameless obstructions?

Not interact with your pets, calling them anything but their name, treating them like an unwanted nuisance, suggesting ways you could punish them, or get rid of them, or telling you they are worthless, and a useless expense?



Narcissism Five:
Expect you to listen and comfort them for every single tiny little problem they have, but dismiss your problems as nothing to worry about, or with a curt "get over it" or "deal with it".
 
Never mentions you by name on social media, or when talking with his mates, but brags that he has a really hot chick as a girlfriend, or "is dating a model"?


Or more likely instead of showing you off to the whole world, doesn't even let on that you exist, afraid that you and all his "side girls" that he is juggling in relationships at least equal to yours, will find out about each other


Never acknowledges your accomplishments or likes any of your social media posts about your everyday happenings except the ones he thinks refer to him.


Never posts any comments, especially praiseworthy ones, on your social media posts, but has plenty to say about everyone and everything , usually derogatory, by private message, where he expects you to fawn over him, in return for receiving an occasional cliched and forced compliment, usually about how hot you are, and how good you make him look.
 


You are being manipulated by a Sociopath.

Narcissism Six:
Does your significant other expect you to be there for him in every to support him through every apparent " life threatening" ordeal, to comfort and calm him, such attention craving being usually nothing more than an underhanded blackmail tactic to get sexual favours from you, and the 'ordeal' is usually totally forgotten or seen to be totally insignificant the next day.


However when you are in a real crisis, emotional, family or financial, the significant other is dismissive, busy with something important , or simply nowhere to be found.


Haven't you woken up yet: your life is being destroyed by a Sociopath.




For several reasons models seem to be a vulnerable and willing target for these parasites and far too many dont realise until it is far too late.

Industry professionals get so used of dealing with these obnoxious hanger-ons that they can usually spot them from vast distances, or even from an overheard conversation: polite clients call them "unnecessary distractions", photographers know them as 'pimps'.

You will soon find that they are not welcome on set at any time, although they will still believe their presence is a sheer bonus to everyone involved. Unfortunately as a natural consequence you will very quickly find all your work will quickly dry up for you, and you will rapidly fade into the realms of someone who 'once was a model'.

Work colleagues and friends can do nothing other than look on in horror at the number of women, young ones certainly, but also those old enough to know better, as they are beguiled by false charms into being totally controlled and ruthlessly manipulated by a narcissist?

To watch on as friends, unable to help with the complete upheaval, turmoil, and confusion of the daily cycle of upset, followed by sickly smooth schmoozing gradually drawing the poor girl in, and setting them up for the ultimate betrayal and inevitable emotional destruction.

There is absolutely never any chance of any kind of a relationship with a sociopath, simply because they have no emotion, no empathy, and are totally incapable of any kind of love except self love (narcissism), but this kind of "relationship" seems to be increasingly visible at an alarming rate.

Please wake up before it's too late. You can fool yourself for just so long, but it will always end in pain when you realise you were always destined to be nothing but a cast off conquest by an emotionless android.



Stephen Bennett is available for Guest Speaking, Seminars, and Workshops in a group or on a one to one basis for:
Models and aspiring models on all things Modelling, including Successful Portfolios and Building a Modelling Career … please visit my website to contact me.


©Copyright: Stephen Bennett, MMXVII
Except as permitted by the copyright law applicable to you, you may not reproduce or communicate any of the content on this website, including any photographs and files down-loadable from this website, without the permission of the copyright owner.
The Australian Copyright Act allows certain uses of content on the internet without the copyright owner's permission. This includes uses by educational institutions for educational purposes, and by Commonwealth and State government departments for government purposes, provided fair payment is made. For more information, see www.copyright.com.auand www.copyright.org.au.
We may change these terms of use from time to time. Check before re-using any content from this website.

Interesting Links:

Saturday, February 4, 2017

Three Essentials Beginner Models Must Know

New model 'Katiegirl' has made herself well aware of the pitfalls associated with forging a career in the field of modeling.



The most frustrations for industry professionals and beginner models alike involve the public perception of modelling and model photography.

Like most beliefs that are essentially wrong, these fallacies develop a life of their own, and permeate through society, until even many models and photographers begin to believe them.
 
Presently modelling is at all time time low in the public eye, perceived as a deviant activity where naive girls are made to flaunt themselves for the entertainment and gratification of dirty old men with pony tails, a giant dose of mid life crisis, a shiny new camera and a battery of long, over sexualised lenses.
 
So if you are a girl who realizes that there are many aspects to modelling to which this horror image is complete nonsense, or that being a model is a very viable career choice, and you are wishing seriously to become a model, these three points should be firmly in your mind.
 
1. Modelling,  developing and maintaining a career is seriously hard work, 
NOT standing in front of a camera and 'doing your model stuff' or  'having a bit of a laugh' as many imply.
If you pose for the local camera club, or that studio down the road, for a couple of hours once a week, dressing up, costumed as a zombie, or a cupcake, or a sugarskull with fairy wings...
you are NOT a 'model', you are NOT in the industry, and you certainly are NOT,  (nor will a career in  modeling ever make you a 'public figure'), and NO-ONE at these types of events will ever 'make you a star'.
 
On the contrary,  if an industry professional ever 'discovers you', or does see model potential in you, valuable time and effort will be needed for you to unlearn all the bad habits, awkward posing techniques, unphotographable makeup gaffs, and totally irrelevant  modelling nonsense which you have learned. The general consensus of photographers I know is unless you have exceptional potential, that it is all too hard, and time consuming to re-teach, so basically it ain't gonna happen.
 
 
2. Hoping for useful portfolio pictures from amateurs, pretenders, and fauxpros, the majority of whom have never actually set eyes on an actual working model's portfolio is hoping beyond hope.

It seems now that every man, woman and dog who has recently bought a 'professional' camera offers 'model portfolio shoots', and it is also very true that almost all of them wouldn't know the requirements of a model's 'book'. (those who call it a 'port' instantly give away their lack of knowledge and fauxpro status).
 
Likewise anyone who chants the mantra of "it will be great for your folio", is equally a waste of time, money and effort, because invariably the resulting pictures,  if you ever see any, will be ANYTHING BUT SUITABLE for a working portfolio.

3. Modelling does not, I repeat DOES NOT, involve getting naked...

Regrettably the requirement of nudity in modelling has become a staple of the public perception of the 'evil arts', and of course nothing could be further from the truth.
 
Any photographer, model or hanger-on who tells you that nudity is required for you to get anywhere as a model is at best naive, but more likely an ill informed amateur, a pretender, a charlatan, or a pervy old wanker.
 
There are three major things to consider here, even if you strongly desire becoming a nude model...

  • A. Posing in the buff for amateurs or pretenders will never get you anywhere, except a reputation as the girl who gets her gear off for anyone with a camera.
  • B. The actual market for photographs of the nude is so small, and already overfilled that ONLY work from a very small, well established, highly respected, AND HIGHLY SELECT group of photographers and models is ever accepted, with most opportunities being well and truly sown up, and well beyond the dreams and abilities of any neighbourhood snap-shooter.
  • C. Contrary to the bleatings of socially challenged amateur snappers, not every girl looks good with her clothes off. Unless your body is equal to or better, than the girls already doing nude modelling, even the girls appearing in those cheap rag-mags, i.e. close to PERFECT without relying on 'fix it in Photoshop', well you simply won't be good enough.


And very important to remember also: everything you do in front of a camera, including nudity, IS YOUR CHOICE!

For more detailed information have a read of my blogs specifically on unreasonable demands for nudity:

Stephen Bennett is available for Guest Speaking, Seminars, and Workshops in a group or on a one to one basis for:
Models and aspiring models on all things Modelling, including Successful Portfolios and Building a Modelling Career … please visit my website to contact me.


©Copyright: Stephen Bennett, MMXVI
Except as permitted by the copyright law applicable to you, you may not reproduce or communicate any of the content on this website, including any photographs and files down-loadable from this website, without the permission of the copyright owner.
The Australian Copyright Act allows certain uses of content on the internet without the copyright owner's permission. This includes uses by educational institutions for educational purposes, and by Commonwealth and State government departments for government purposes, provided fair payment is made. For more information, see www.copyright.com.auand www.copyright.org.au.
We may change these terms of use from time to time. Check before re-using any content from this website.

Interesting Links:

Thursday, September 29, 2016

2017 AUSTRALIAN BIRDLIFE CALENDARS RELEASED

http://www.zazzle.com/stephenscalendars*


STEPHEN BENNETT PHOTOGRAPHY AND VIDEO

has released the 2017 range of Australian Birdlife Calendars, each featuring twelve quality, images in stunning colour of iconic Australian birds photographed in the wild in various locations, plus an equally impressive cover portrait.

Three very different Calendars in a choice of Three sizes:
AUSTRALIAN BIRDS
BIRDS OF THE AUSTRALIAN BUSH
AUSTRALIAN WATER BIRDS



Large = 11 X 14.25in (or 28 x 36cms)
Medium = 8.5 x 11in (or 22 x 28 cms)
Small= 5.5 x 7 in (or 14 x 18cms)

(Back covers featuring full calendar contents)



AVAILABLE NOW FROM:

http://www.zazzle.com/stephenscalendars*

Saturday, July 9, 2016

NUDITY: The Naked Truth, Part Three

(Nudity in this blog refers to all degrees of partial and full nudity, including Lingerie and other sheer or see through apparel, topless, full nudity; whether nipples and genitals are shown or not, and that genre, beloved universally and made ludicrously meaningless by amateurs: the genre rejoicing under the misnomer "Implied" nudity.)

Part One of this series explained the role of portfolios and self promotion in the career of the nude model, while Part Two explained some of the possible channels available for publication of nude photographs which a model should be aware of.

No doubt now the model has made herself available for nude work, and her willingness to collaborate with photographers of her own skill level or better, and the offers have no doubt been rolling in:

Which now begs the question: should all nude work be paid work only?

Many maintain that models should be paid for getting their gear off for photography, no questions asked: but the answer really is: it is entirely up to the individual.


The ubiquitous “tfp” shoot has been rendered almost meaningless by misunderstanding and misuse of the concept by the legions of fauxpros and wannabes, and close to useless for any but the raw beginner.

However used properly in the hands of the minuscule numbers of legitimate photographers who still use it, ‘tfp’ in its original form can be a very useful learning tool for models with genuine aspirations, and productive for the photographer with a model who is intent on developing professional level skills.

Much productive and successful work has also been produced over the years on a share the eventual profits basis, and many successful partnerships between model and photographer have existed where no payment has been made.

Personally I feel that if a photographer is being paid for a job requiring a model, then the model should be rightfully compensated, and certainly publications should pay both the photographer and the model, and up until a few years ago there was no doubt about this happening, not withstanding a little argy-bargy and untimely delays.

If a photograph of a model is used commercially, that is used to represent or imply endorsement of a certain company or product, the model is foolish if she doesn't negotiate a reasonable payment for her services.

As you progress and develop your modeling career you will find that there are many exceptionally good photographers, many genuine opportunities, and well paying markets for lingerie, semi nude and nude images, and there is no reason, if you have the right attitude, and the inclination, that a portion of those images should not be of you.

But a career isn’t built on wasting time and effort with fools, time wasters, pretenders, and exploiters...in fact the opposite is true, your career will either languish or indeed go backwards...at the very least the resulting images from these time wasting sessions will possibly be detrimental to a serious career.

But worst of all for a model who is dedicated, and determined to succeed, she doesn’t need to be labeled as "that chick who’ll strip for any guy with a camera" before her career has even begun.

What if you as a model want to specialise in Glamour, Nude, or similar work.
After all it is a completely legitimate form of modelling and most of the most lucrative if done for legitimate publications with skilled and experienced photographers.

This question brings us down to the hardest truth of all.

Do you really have the aesthetically perfect, desirable, defect and blemish free body that is necessary even before the photo manipulation makes it even more-so?

Face it, because very few internet photographers, desperate for flesh in front of their lenses, will ever tell you:
Not every girl can, or should be a model.

This is one of the great and foolish myths of internet modelling, just as many 'photographers' would contribute more to the photography industry if they took up stamp collecting or train spotting instead. The ego far too often refuses to recognise the vast chasm between “living the dream” and “just dreamin'”.

But this fact is never more true than for those who envisage modelling nude.

Anything less than a superb, elegant, universally desirable, and well proportioned body which matches or exceeds those already being published, is a waste of exposures (in all senses of the word) and time.

So you think you have the body, or would at least like to find out by giving it a go anyway?

Do you have or are you able to develop the required psychological make up, the comfort in nudity, and the relaxation and trust in working with your chosen photographer?

I personally would never photograph a model nude until complete relaxation, modelling competence and mutual trust has been established, and this would certainly never be during any of the early photo sessions together.

The startled “deer in the headlights” look, or the abject fear on the face is not a good look for either model or photographer, but is oh so common.

Do you, and more importantly your family, friends and loved ones have the open mindedness, and the willingness to support you in what can be an often openly hostile conservative society?

Remember nobody can make you a star, except you, yourself, and only after a lot of hard work and much diligently accumulated knowledge.

To listen to many of the new breed of 'photographers' and 'models', you can so easily become an overnight success with little effort, but it true that in reality it takes many years of paying your dues to become that ‘overnight sensation’, not to forget of course that the majority never achieve anything, or drop out because it's all too hard.

Above all, don't allow yourself to buy into that stereotypical myth, which has long been held to ridicule as the 'ideal model', and due to the sheer numbers of fauxpros and wannabes, and the immense volume of internet misinformation seems to be threatening to become more of a reality now than ever before: “the ditz with the tits”, the submissive perfect body who does what she is told, believes what she is told, and blinded by the stars in her eyes, doesn’t think for herself...who in striving for the ‘ideal’ of a completely empty mind, shuts down her entire brain.

Maybe the first things to avoid:

- the endless round of tfp shoots which are of course “great for your folio', which are entirely inappropriate, a complete dud of a learning experience, and at best 'a bit of fun' (they always seem to be billed as a bit of fun) and at worst a dead end waste of time.

- the seemingly never ending cycle of unpaid shoots, which aim at learning the ropes for a month or two, and before you know, years have gone by and despite the heartfelt promises you have never seen a single published photograph of yourself, and never earned a penny to reward your efforts. Even an occasional twenty dollars or so, does not make you a successful or indeed a ‘professional’ model.

And what things might be useful to learn to achieve success?

Learn to recognise a good photograph, and a good photographer, and to sort the wheat from the ever increasing heaps of chaff, and work with the people who are beneficial to your modelling...those who walk the walk, and don’t just shovel the jive talk.

Learn how to avoid problems, by not working for the wrong people in the first place, but when things begin to go wrong on a shoot, or inappropriate things begin to happen, learn how to control it, stop it completely, and when to walk out and leave.

Every model will quickly establish a comfort level with individual photographers and will also sense photographers she particularly favours, and others she would not allow within shouting distance, and rightly so.

Photo shoots, especially nude shoots, are by their very nature intimate to a degree, and a model is always placing herself in a vulnerable position. But that is no excuse for attempted seduction, 'copping a feel', photography as an excuse for simply perving, or any other inappropriate behaviour from either side of the camera.

Many models who are keen to establish a career, and accomplish some good photographic work, are surprised to learn of the number of desperadoes who buy a camera simply as an excuse to interact with 'models'.

Many others have mentioned the overwhelming amount of subtle, and not so subtle, coercion and out and out bullying that they are subjected to during photo shoots. Needless to say, that many models complain of behaviour ranging from a general feeling of being made to feel uncomfortable, through excessive 'ogling', to outright sexual abuse and molestation.

I have not only had it reported to me on several occasions, but also witnessed first hand, that some “models” are regarding photo shoots as potential date finding opportunities, and more surprisingly are offering to ‘git nekid’ in order to get free portrait sessions, and a supply of free pretty pics, with no intention of ever seriously modelling.

All of this of course is totally unacceptable, but behaviour which is increasingly becoming tolerated as 'normal', and indeed actually encouraged by both photographers and some 'models', but which a wise model quickly learns to deflect, control, or to avoid by recognising the potential problems long before they occur.
However it should be noted that these kinds of problems rarely occur in the purely professional environment, but also naive to think they don't occur at all.

When they do occur in any environment though it is better to be prepared to deal with them, rather than to give in early to fear, and scaremongering, and end your career before it has begun.

Personal experience has also shown that the very people who are the most vocal about ensuring a safe environment, naming and shaming real or imagined violators, and administrators of secret facebook groups to “protect” models, are usually the same people that serious models, and professional photographers for that matter, should be most wary of.

Feedback from numbers of models over the years has reported that the most unusable and unreliable information, and the most insidious misinformation comes from these very self proclaimed 'professionals'…

If I had a dollar for every pretender who labelled themselves “professional” as some kind of touchy-feely, ego inflating weasel word justification of their quasi- ethical behaviour, I would no longer need to be scratching out a living as a photographer and writer, myself.

So what every model needs to develop: every model, not just prospective nude models...is a
  • well tuned B.S. meter,
  • more than an ounce of good old common sense,
  • the ability to use her brain and thought processes,
  • knowledge of what good photography is,
  • and who the good photographers are
  • where your photographs are really being used (if anywhere)…
BUT most importantly,
  • the willingness and intelligence to JUST SAY NO when you will be receiving no benefit.
  • And the ability to simply WALK AWAY when necessary.


Stephen Bennett is available for Guest Speaking, Seminars, and Workshops in a group or on a one to one basis for:
Models and aspiring models on all things Modelling, including Successful Portfolios and Building a Modelling Career … please visit my website to contact me.


©Copyright: Stephen Bennett, MMXVI
Except as permitted by the copyright law applicable to you, you may not reproduce or communicate any of the content on this website, including any photographs and files down-loadable from this website, without the permission of the copyright owner.
The Australian Copyright Act allows certain uses of content on the internet without the copyright owner's permission. This includes uses by educational institutions for educational purposes, and by Commonwealth and State government departments for government purposes, provided fair payment is made. For more information, see www.copyright.com.au and www.copyright.org.au.
We may change these terms of use from time to time. Check before re-using any content from this website.

Interesting Links:








Friday, July 8, 2016

NUDITY: The Naked Truth, Part Two

(Nudity in this blog refers to all degrees of partial and full nudity, including Lingerie and other sheer or see through apparel, topless, full nudity; whether nipples and genitals are shown or not, and that genre, beloved universally and made ludicrously meaningless by amateurs: the genre rejoicing under the misnomer "Implied" nudity.)

This part of the article explores what a potential nude model needs to know about the possible types of shoots and potential markets for nude photography, and how to decide if the photographer actually is prepared to deliver any of his promises of “publication”.

Let's just for a moment think about the possible markets for the photos of yourself as model which are most often promised (but alas rarely realised) by the majority of self styled internet photographers.

The most ridiculous first perhaps: boudoir shoots.

Well in language simple enough for even 'creative artists' to understand...Boudoir is a style of intimate portraiture offered to ladies of a certain age to give themselves an ego boost, to revitalise their marriage, to inspire their husband, boyfriend, or as a gift to a groom on the wedding night, or simply to make themselves feel sexy and pampered in the moment, and as a photographic memory for the future. It involves a photographer and a female client: the genre, by its very nature does NOT involve models, despite what modern day “creatives” are trying to make out.

The boudoir providers have basically died out and closed down now, as it was regarded by many women as a trifle indelicate and far too daring for gentile ladies, and has been largely replaced by the 'glamour makeover' shoot, which inherently has a much larger potential market, and a more conservative profile.

And as the word "boudoir" comes from the French meaning a bedroom or small intimate room for ladies, boudoir style photographs involve lingerie, and intimate apparel usually in a bedroom or intimate indoor setting.

It certainly does not involve groups of naked nymphette models romping around romantic forest glades, or parading their assets in derelict and abandoned factory buildings, while being stalked by legions of long lenses as organisers of several 'boudoir' workshops have emphatically insisted recently.

These types of shoots simply fit into the time honoured glamour genre.

Next where do the vast majority of photographs by internet photographers actually get "published"?

It shouldn't be surprising that the answer is nowhere, except maybe on facebook, or flickr, or some other social media ego gratifying page.

You should also be aware that appearances on these pages are not regarded officially, as “being published”.

Is "flipping the fried eggs" for the sake of appearing on nowhere except Chunky Chucky's Cheeky Chicky Pickies facebook page or website really worth while?

That's not to mention the distortion which will occur to the photos anyway because Facebook and most other social media, and even photo 'sharing' sites have their restrictions to what can appear, so get ready to suffer cartoon cat faces plastered over your carefully posed and meticulously photographed "female parts".

But then again you could also appear on the photographer's website, which, being one of merely 190,000,000,000 or more other sites, very few people will ever see, except for the picture thieves who will make sure it appears on as many porn sites as possible before they are caught and punished for copyright infringement...as if that will ever happen?

So yes, that honey dripper fauxpro was right when he told you you would get great “exposure”.

Vanity magazines.
 
While it is very true that news agency shelves are emptier of magazines by the month, with some magazines moving online, with new online publications appearing on a daily basis, it is also true, that while a very small number of online magazines are respectable, and have large readerships, the vast majority are the long time scourge of the publishing industry: vanity publications.

These vanity mags accept virtually anything, regardless of quality, and often subject matter, under the readership alienating arrogance of “We're independent, so we can do whatever we like”. They also would never even consider the imposition of paying for the use of photographs, and almost always disappear into the ether when the topic is raised.

Instead they rely on a captive audience, consisting of the photographer, the model, and the model's boyfriend or mum, and unsurprisingly very few other readers, as they are formulated to pay for their costs as well as make a profit from just one sale at grossly inflated prices for a download.

These quick, cheap, and nasty magazines disguised in back alley glitz, patronise and massage the ego of the wannabe photographer with feint praise, and sugar candy coated promises, by planting and carefully nurturing the fast track, nay the bullet train to fame, fortune, and great exposure (there's that word again).

The easiest prey of course, are the legions of snap-shooters, and fauxpros who know or suspect they haven’t got what it takes to cut it in the open market or even the desire to succeed on their own merit, and more about the image of being an "internationally published photographer", than anything which smacks of actual work.

As a result, the legions of fauxpros and wannabes however seem to regard these equivalents of yesterdays fish and chip wrappers, as the holy grail of publishing.

The irony is, that no-one in the legitimate industry regard these exploiters in anyway but with the derision they so aptly deserve, and the inclusion of any of them in a photographer's or model's portfolio or C.V. elicits nothing but a barely disguised smirk.

Print Magazine submissions

The heyday of print magazines was in the 1980's, when there were thousands of publications clamoring for content, most of which were not only open to, but actively encouraged freelance submissions.

But even then, submissions had to be extremely good, and finely tuned to the particular style of an individual magazine to be even considered for publication.

Even with the market as open as it was the "girlie" mags were still very particular to who's name was on a photography submission, before they even bothered to open the envelope...in effect the majority simply went straight to the round file, or were returned unopened.

Now when there are less than a tenth of the magazines in existence as there were then, there is much less chance of having an "over the transom" freelance package accepted, as the majority are produced entirely in house, and completely closed to outsiders.

But for submissions to those few still willing to review freelance work, the whole package must be exactly tailored to what the editor wants.

If your photographer promises "possible submission to magazines" ask him, which particular magazine?

If he doesn’t tell you, or mentions a vague term, or a wide group of publications, he either doesn’t know, is going to try the always unsuccessful scatter gun approach, or the word “collaborating” to him means everyone on set does as he tells them, while he bluffs, hoping for the best.

First thing for a wise model to do is to go and buy a copy of the particular mag mentioned, or check out several backcopies in a library: these will help you with what to expect with posing, makeup, etc, and basically get you “in the zone”.

Then carefully read the editorial or front pages, and find if they do in fact, accept freelance contributions. If it not clearly stated anywhere, the shoot is a waste of time.

Then check out then the photographer's work, with a discerning eye. Does it reflect the same general quality of that mag, the same lighting styles, the same general look and composition?

So far so good?

Next check out the general style of pictures the magazine usually features. If they all show virginal looking maidens with milk white skin, in country manor styled sets, lit by studio flash, and you happen to be a tanned, aussie girl, with tattoos and piercings, and you will be posing in front of a graffiti covered wall, to be lit by afternoon sun and a reflector, don’t waste your time.

Don't laugh, this very fundamental mistake of providing what the photographer considers the client needs, rather than what the client actually wants, is a lot more common than you think:-remember all those abominable and totally unsuitable "folio shoots " that you once did, that the model agencies labeled “garbage”?

This attitude which really amounts to arrogance, is the main reason why the majority of fauxpros will never get any further than posting snapshots on facebook. and as facebook does not allow nudes, anyway, why are you, as a serious model, considering getting naked for this loser?

Magazines simply do not want 'different', they don’t want 'art', 'experiments', 'better'...they want more of exactly the same, variations on the same style, same lighting, poses, settings, types of girls, and equal quality that they have been running for the last few years.

And if you happen to be dealing with one of those photographers who never reads the magazines he is pretending to photograph for (in their dreams) you might like to gently let him know that Playboy Magazine is no longer publishing photographs of nude women...the reason the publishers gave: there was already far too much really bad amateur crap on the internet it wasn't worth trying to compete with it anymore.


Art Nude?
 
Art nude photography is the epitome of technique, skill, and knowledge coupled with creativity, and is the field where real collaboration takes place for great rewards for both model and photographer.

As a result art nude photographers are the exception, and no where near as prevalent as would appear from glancing at facebook profiles, where travesty and artless mediocrity are the norm.

Nevertheless art nude work is a great opportunity for models to learn and advance their skills, when working with a good photographer of equal or preferably higher skill levels.

However even the most successful art nude photographer would quickly tell you that opportunity to make good money is severely limited: art photography books do not enjoy large sales, and traditionally have lost money due to production costs, exhibitions of art prints are few and far between, and still not widely accepted by art galleries, the general run of art connoisseurs, or even the general art viewing public, and print sales are often low or even non existent.

But for models with the right skills, physical attributes, and temperament, including coping with the often misinformed opinions of friends and family, and the barbs and arrows of an increasingly conservative society, it can still be a productive, and occasionally lucrative field to work in.

But of course, remember “horses for courses”, and common sense should reign supreme, so posing for the fat guy down the street with the greying comb-over pony tail, the "trust me I'm a Photographer" T shirt, and drool encrusted camera might be a clue as to whether or not to accept his really outstanding offer to "collaborate".

 
This part of the article should be regarded as a primer for what models can expect from photographers, an insight into how and where photographers supposedly make their money from photographs of hopefully you, and typical outlets for excellent photography.

Part three will explore some ways in which models can work in a truly collaborative way with photographers, and how they can cope with any problems which may arise, or any situations which they find themselves in, which may not be beneficial to them.


Stephen Bennett is available for Guest Speaking, Seminars, and Workshops in a group or on a one to one basis for:
Models and aspiring models on all things Modelling, including Successful Portfolios and Building a Modelling Career … please visit my website to contact me.


©Copyright: Stephen Bennett, MMXVI
Except as permitted by the copyright law applicable to you, you may not reproduce or communicate any of the content on this website, including any photographs and files down-loadable from this website, without the permission of the copyright owner.
The Australian Copyright Act allows certain uses of content on the internet without the copyright owner's permission. This includes uses by educational institutions for educational purposes, and by Commonwealth and State government departments for government purposes, provided fair payment is made. For more information, see www.copyright.com.au and www.copyright.org.au.
We may change these terms of use from time to time. Check before re-using any content from this website.

Interesting Links: